“Dr. Linus”

Looks like it’s just me (Robert) this week. Everyone’s off doing things and denying their LOST nerd tendencies, but no matter. Let’s re-cap what went down with “Dr. Linus,” shall we?

While it was good for a chuckle or two, the glimpse of alt-Ben as a school teacher in “The Substitute” relegating him to the life of a naggy subordinate seemed trite and incomplete, especially considering how integral he’s been to everything that’s happened since Season 2. I thought that might be the last we’d ever see of him, but this episode took that inkling of a thread and pulled it out to a proper conclusion, setting out to give alt-Ben a touching final bow while also moving on-island Ben towards his new place in the scheme of things.

When alt-Ben becomes frustrated by how the school is being run, he makes a play for Principal Reynolds’ job by exploiting some dirt that his Alex shares with him. It sets up a poignant showdown that mirrors the same decision he had to make in the original timeline when it was his daughter versus the fate of the island. For a moment there, I really thought Ben was a goner but his revealing plea for forgiveness and understanding strikes a chord with Ilana, with her acceptance of “I’ll have you” serving as his only relief.

Speaking of which, his role on the island—at first tempted to follow Locke out of desperation, now willing to stay with the Ajira gang thanks to Illana’s acceptance—isn’t quite clear any more. I’ve said it in past weeks that I don’t really get what’s going on with Locke and Claire (and now Sayid) and the island, and even if that picture is starting to become clearer, I still don’t care so much about what happens. I’m sure  there’ll be some big showdown and it’ll be life-or-death stakes, but I still feel like it won’t matter in the end.

Instead, I go back to my theory that the flash-sideways are going to eventually be revealed as being the  ”correct” timeline. Since the producers (Lindelof and Cuse) have said that both of these realities are “real” and neither can be dismissed outright, I can only assume—as everyone else has—that it’s a matter of two parallel timelines that have to be resolved. The “what if” question that alt-Roger poses to alt-Ben about staying on the island and how much different their lives could’ve been is maybe the first hint we’re given about where things diverged from the original timeline. That makes me think Roger and Ben left the island before things changed, which couldn’t have been because of any of the Lostie-related action from last season (and certainly not after Ben was shot by Sayid). There’s a clue in there; I’m sure of it. I just haven’t figured it out yet.

(By the way, I thought it was great to see that Ben naturally cares for Alex even though he doesn’t have the same father-daughter relationship with her. And I’m still amazed at how Michael Emerson manages to play so many sides of the same character so effortlessly. In one scene, he looks studious and caring as he cares for his alive-but-elderly father Roger, and in the next, he’s broken and frayed as he reluctantly digs his own grave. Ben has developed nicely from that mousy guy who was caught in Rousseau’s trap way back when.)

On the other hand, the B-story with Richard, Jack and Hurley also offered up some information on the nature of Jacob and what it means to be “touched” by him. Richard couldn’t live with the idea that he’d served an entity that didn’t care about him but couldn’t kill himself because Jacob apparently granted him some sort of “conditional” immortality. When Jack lights the dynamite and refuses to leave, he believes neither one of them will die because Jacob touched him too. That’s right—Jack believes it. And when the lit fuse dies out just before detonating, the question of whether everyone Jacob has touched can die is answered. Jack, Hurley, Kate, Sawyer, Locke, Sayid, Sun and Jin also have this same “gift”. Again, that’s not to say they can’t be killed, but they just can’t do it themselves—like that time they tried to detonate an atomic bomb.

  • http://twitter.com/GeminiAce Rane Pollock

    I'm still on the fence as to who is the real evil, Jacob or Flocke. Jacob gives these gifts, but they seem to come at a price or have a catch. Flocke is a gift giver, too, as we heard with Sayid, but I wonder if he's the type that doesn't deliver on his promises. I think they are both willing to sacrifice whoever it takes to win.

    I think it's cool that we got an answer as to what a candidate is. We all thought it, but now we know. So, can Jacob pass his “power” onto a candidate?

    Also, everyone is freaked out that Jacob is dead, but he sure is still influencing everyone. Chatting with Hurley, stopping the dynamite fuse, etc. Doesn't seem that dead to me.

    Good write up. I look forward to them every Wednesday!

  • http://www.facebook.com/KindaOk Pete Dodd

    I loved this episode and for the first time I really cared about the flash sideways (aka the actual ending…).

    Ben Linus is one of the better characters in television history and Emerson's performance is amazing, on par with Cranston on Breaking Bad.

    The jack/richard scene was amazing. Jack seems to be figuring out his role in life slowly but confidently. I am hoping the series cresendos with a fully confident jack finally doing something that is the right thing to do and actually working. His poor character deserves it.

    And hurley saying “ill be like a mile away if you need me” had me rolling. I <3 hurley 4eva.

  • http://www.sodapopjournal.com/ Scott Howard

    Absolutely LOVED this episode, tonally and thematically. After seeing Sayid sell his soul in “Sundown” last week, “Dr. Linus” opened with darkness but transitioned into something inspirational: nothing less than the redemption of the series' longest-running villain. The ending was a nearly shot-for-shot restaging of a Series 1 sequence that established the castaways as a connected unit for the first time. This second time, we get two unlikely additions to the family, Ben and Richard. Also very intrigued by the use of Leonard Cohen's classic “Bird On A Wire” in the promo for next week. Whose point of view is that coming from?

  • http://twitter.com/TheArmandoShow Armando

    Sorry I'm Late!

    “Dr. Linus” –
    I'm done debating this with myself. LOST is my…..wait for it…..3rd favorite television show ever. I can't help it. One day when I have a shot, I'll write up why nothing may ever top Buffy the Vampire Slayer for me.

    And yes, while technically, LOST kicks Gilmore girls ass, well, that would be another piece I need to write one day.

    “Dr. Linus” was another, IMHO, masterful character piece. Michael Emerson is a superb actor who can express himself with more than just saying the words in the script.

    His body movements, especially his facial and eye expressions, are part of his greatness as a “storyteller”.

    And his speech and the way he articulates–For real, no one else could/should have been Linus. He is one of the characters of (Science) fiction that will be legendary for many years to come.

    We (or maybe it's just me) still haven't really figured out exactly if what we think is good is bad or vice versa but the lines in the sand are clearly drawn.

    Linus' flash sideways was another one where it really didn't matter if it was the true time line or an alternate time line, whatever.

    It's story of Linus' self redemption was simply engaging to watch unfold regardless of it's “reality” status.

    And I'm sure everyone caught it but people are saying things to our the “candidates” in their flash sideways that seem to make them have “deja vu” type reactions.

    When I saw Linus react to something someone said right before they flashed back to the island, he had that look in his eyes.

    I'm beginning to think these flash sideways have something to do with the way Alpert “moves” through time or whatever it is he is doing.

    What if at the end of the show, the LOSTies are able to somehow “see” and “experience” how their lives would have played out if there were no crash?

    Maybe they “live” their lives then are able “return” to the island like Richard “Eyeliner” Alpert does?

    I'm just having fun with trying to “figure” out what is going on. I've pretty much stopped reading theories so I won't have any preconceived notions when I am watching.

    Also, Jack. How great was that scene with Alpert?

    Jack is embracing whatever his “destiny” is and it looks like it's going to be him vs. Locke maybe. Good Times.

    One last thing, I am so glad that the producers decided not to ride this thing out anymore and can actually finish this story.

    These last ten episodes of LOST are looking like they will continue the escalation to uber-classdom and levels of geekery like we never seen before.

    Maybe even more fun than Buffy The Vampire Slayer.

    Ok. Let's not get crazy here………